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Качество и функциональность готового изделия во многом зависит от качества производственного процесса. И пластиковые окна в этом плане не являются исключением. Каждый из этапов производства оконной конструкции по-своему важен, поэтому все их нужно осуществлять должным образом, не допуская никаких погрешностей. Только в таком случае пластиковые окна получаться действительно качественными и будут эффективно выполнять все свои функции.

Изготовление пластикового окна начинается с распила профильной системы. ПВХ- профиль нарезают под углом 45º специальными усорезными пилами. Главное при выполнении данной операции — максимальная точность.
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Далее осуществляется фрезерование водоотводных каналов, наличие которых предусматривается в нижнем горизонтальном профиле. Эти отверстия необходимы для того, чтобы пластиковые окна не запотевали и на них не образовывалась наморозь.

Профильная система внутри имеет полости. За счёт этого пластиковые окна обладают повышенными теплоизоляционными свойствами и морозоустойчивостью. Однако их прочностные характеристики, наоборот, снижаются. Поэтому на следующем этапе ПВХ-профиль усиливается (армируется) стальными вкладышами, которые предварительно нарезают под прямым углом. Армирование выполняется вручную или на специальном станке.

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Infatuation is the mp3 chemical phase of love. Sometimes it is called passionate love, as opposed to companionate love (Hatfield & Walster, 1978). Sometimes it follows a long friendship, sometimes it happens at first sight. It is distinct from both friendship and long-term love.

Love at first sight is the most dramatic example of infatuation. Occasionally it results in marriage. For example, in a set of case histories collected by deCourcy Hinds for a Valentine’s Day article (February 14, 1981), Erica Jong (author of the best selling novel Fear of Flying) reported that she fell in love with her husband the first time they met on the steps of the Beverly Hills Hilton.


My students have also turned in essays about their parents who fell in love at first sight. The following is typical of such stories, which have an embellished quality, as if they have been retold mp3 many times and exaggerated in the process.

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Violence on TV can have effects other than stimulating violent behavior. One known effect of exposure to a stimulus is habituation or becoming used to it. A person who habituates to violence grows accustomed to it, so it does not cause the alarm or disgust it might cause upon first encounter. That might be the main negative side effect from exposing children to large amounts of violent behavior on television: to make people think violence is normal.

Violence in videogames also concerns many people. The most popular videogames among teenage boys are “first-person shooters.” The original versions were Doom and Quake. The person playing the game uses simulated weapons to mow down dozens of monsters, robots, aliens, and sometimes humans. To most videogame players, these games seem like harmless entertainment, and such violence would never be acted out in real life. However, to a few disturbed individuals, the games might encourage violent tendencies.

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The results were clear and consistent. Physically attractive people were judged to be more intelligent, healthier, sociable, and morally upright, compared to unattractive people. In one experiment, the researchers simply presented subjects (students from introductory psychology courses) with photographs of faces. These students were told the experiment was “a study of accuracy in person perception,” testing the students’ abilities to “form detailed impressions of others on the basis of a very few cues.” The students then rated the people shown in the photograph on many dimensions. For example…

There were 27 different personality traits in all. The order was randomized to avoid the primacy effect when all the data was combined. Students were asked to predict the likelihood of a successful marriage for the person shown in the photograph, plus the likelihood of occupational success such as holding a high status job.

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Another study (Spiegel and colleagues, 1989) involved 58 patients with metastatic breast cancer who were randomly assigned to treatment or no-treatment groups. The intervention consisted of weekly 90-minute meetings focused on problems associated with terminal illness and ways to improve relationships. “Ten years later, there was an 18-month survival advantage associated with the intervention.” However, immune responses were not measured, so these results cannot be related directly to psychological effects on immune system activity.

Emergency Rooms are expensive places to get treatment, and they are intended for genuine emergencies. Some people use them for conditions that could hardly be called an emergency. My wife’s favorite example of this, when she worked in an Emergency buy generic levitra online Room, was a patient whose complaint was “abdominal pain for 10 months.” Unless the pain had suddenly gotten worse, which it had not in this case, this patient should have gone to a regular, non-emergency medical clinic.

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A second misconception is that the counselor should clarify the client’s thoughts. The client says something confused or muddy, and the therapist comes back with a clear restatement of it, bringing everything into focus. That is partly descriptive of what takes place in therapy, Rogers says, but it is too intellectualistic, not sufficiently warm and empathetic. The client is likely to feel put-down, as if he or she is being diagnosed or the counselor is saying, “I know better.”

According to Rogers, the emphasis of therapy should not be on the counselor’s brilliance in making interpretations but on the client’s unique world-view and process of self-discovery. To better understand the client, the therapist may try to restate what the client is saying, so that the client can correct and clarify levitra prices the therapist’s understanding. Gendlin (1988) described it this way:

Rogers eliminated all interpretation. Instead, he checked his understanding out loud, trying to grasp exactly what the patient wished to convey. When he did that, he discovered something: The patient would usually correct the first attempt. The second would be closer, but even so, the patient might refine it. Rogers would take in each correction until the patient indicated, “Yes, that’s how it is. That’s what I feel.” Then there would be a characteristic silence. During such a silence, after something is fully received, the next thing comes in the client. Very often it is—something deeper.

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